Art market Magazine April 2013

 
THE MAGAZINE 
 
EVENT 
 
Drawing conclusions 
ill…
THE MAGAZINE

EVENT

Drawing conclusions
ill the latest Salon do better than the previous ones? It's hard to say, especially in an economic downturn. But the Paris fair has
succeeded in setting the bar ever higher over the years. In 2012, the professionals unanimously acclaimed a positive result, marked by a higher attendance rate, good sales, and the return of American buyers, while the presence of representa-

W

tives from the top museums confirmed the excellence of the works on offer. The Musée du Louvre picked up a study by the Spanish artist Alonso Berruguete dating from the 16th century; the Morgan Library of New York a pastel by Benedetto Luti, and the Rijksmuseum a Dutch landscape by Gerrit Battem (1636-1684) – three drawings presented by the Barcelona gallery Artur Ramon. Museums have become important players in this decidedly unifying art fair, which is one of the few of its kind to highlight museums' graphic art collections. Once again, and for the third year running, it is welcoming a regional museum as its guest of honour: Bayonne's Musée Bonnat-Helleu, which will be exhibiting the drawings recently added to its collections through the Helleu bequest (see interview on page 106). During the jointly staged "Semaine du Dessin" (drawing week), visitors will also have the chance to view the capital's key graphic art collections, never before or very little seen by the public. For example, the Bibliothèque Nationale de France will for once be opening up its reserves to exhibit drawings from the 17th century almanac. With collectors, dealers and curators, the Salon du Dessin is a lively occasion, as readily confirmed by one of its organisers, Bertrand Gautier. "It's such a strong event because it's a genuine forum where different sensibilities and points of view are expressed, and where tomorrow's trends start to

Giulio Aristide Sartorio (1860 - Rome - 1932) “Portrait in profile of the singer mme Sylvia Simpson (pseudonym: Sylvia Rita)”, Graphite and red chalk, pastel, 38,7 x 27,5 cm. Signed in pencil at bottom left GA. Sartorio Roma. Pandora Old Masters INC.


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HD

Johann Wilhelm Baur ((Strasbourg, circa 1600 – Vienna, 1640), “Christ before Pilate, circa 1635”. Gouache on vellum, 18,3 x 26,4 cm. Signed
Wilh Baür Inüentor fecit.
© Didier Aaron & Cie

Cornelis de Vos (Hulst, 1584 - Antwerp, 1651), “Head of child”. Graphite and red chalk highlights, 22 x 17 cm.
© De Bayser Gallery

don William Wyld (1806 - Lon ône”, ignon from the Rh 1889), “Av cm. watercolour, 24,3 x 33,9 ht. ned Wyld on bottom rig Sig
uté © Galerie Paul Pro

Art Market Magazine April 2013
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